When habits vary or trends fade, we’re not always aware of the change. Tastes may shift, but there is still a finality to them. We just may not notice the transition.
My whole life is spent “Going Places”. Most of my year is spent in the fashion capitals of the world, like New York, London, Milan and Paris. Endless hours on planes, a new view from just another hotel window, or listening to traffic and the hustle and bustle of city life.
A collection of images taken in Greece over 2016 and 2017 documenting the polarity in human experience in a country which is both a global tourism hotspot and a nexus of the European refugee crisis.
Last August we went on a family road trip across the US. We started in Los Angeles, backing out of the Cal Mar motel in Santa Monica for what was meant to be a drive to Palm Springs and back...
New York City has been romanticised by lyrics, cinema and poetry that re-posts and captions will keep alive for all of social media’s eternity, even if the attributed are perpetually rolling over in their graves with every double tap of Instagram’s beating heart.
An audacious haircut has repeatedly played catalyst to unchartered career opportunities and, for some, even personal growth. Nicole Bentley And Rosie Tupper ring in Edition No. 6, GOING PLACES, with 'The Chop'.
A story that considers the influence of the Elizabethan period on popular culture and fashion, not without a modern gaze and a gentle nod to it's various cinematic interpretations.
Alan White’s illustrious 25 year career across London, New York and Sydney has produced some of the most memorable and iconic fashion moments in both the editorial and advertising worlds. His prolific output as both a hair stylist and educator is merely touched on in 'The Alan White Album’ produced in collaboration with Lagoon Collective and culminating in an editorial that pays tribute to White’s favourite era, Punk.
Memories of place, object, texture and colour, of cherished possessions and rituals of dressing. Within an environment of familiarity, the series explores conscious recollection, both observed and experienced.
One must not confuse a lack of clothing with a low key approach, summers in the late 80s, early 90s were anything but, we pay homage to a time less posed but certainly more preened.
Alexandra Agoston in front AND behind the lens for SIDE-NOTE Edition N°5, Nostalgia.
An unlikely assortment of household consumables, vivid in colour and varied in form, bring sentiments of what is past into a narrative of now.
Like all art, fashion is an ever evolving ever retrospective interaction between the past, present and future...
With the current cultural shift that is so accepting of gender fluidity, and the fashion industry continuing to blur the lines between mens and womenswear with entire 'ungendered' collections hitting the runway, is it time we start relying on our unobservable behaviour to show which you is really true..?
In the age of Instagram, it’s more than likely anyone new you meet has either already seen your online persona, or will look you up afterwards.
Setting out to juxtapose the living with the artificial, Levon Baird presents a photographic series that is anything but real, "...except that those are real flowers, and the moments these photos were taken really did happen".
If we accept that our experience of the world is as much about judgement as it is the sum of our sensory experience, how heavily can we rely on seeing and hearing to reach an objective truth? In our first collaboration with Sydney based filmmakers, KidsofBill, Samuel Stevenson and Harrison Friend consider the imprecision of perception.
All things begin, end and begin again in fire. From the earliest dawning of humankind’s consciousness, fire has represented the most powerful and unrelenting source of change known to us.
The esoteric nature of how we consume information today has obliterated the singularity of the beauty code.
Five couples, on intimacy and each other.
Simultaneous narratives collide in Baird’s reflection on the experience of coexistence. If a picture tells a thousand words, how many more does it take to tell the tale of the individual?
In his most personal point of view, Photographer Tim Ashton captures the kind of intimacy that extends beyond two people, in a beautiful collection of pictures of his family.
Possession is symbiotic, the things we have, have us. There’s an intimacy that binds, that is forged as they live with you, against your skin.
Drawing on various streams of consciousness of colourful encounters past, CHILL is not a thing, starring Maddison Brown, looks at the reality of the female psyche in all its glory.
A study in form with sentiments of touch, fragments of a fuller picture and the varying perspectives of a non existent distance.
“They had nothing to say to each other. A five-year age gap between siblings is like a garden that needs constant attention. Even three months apart allows the weeds to grow up between you.”
― Zadie Smith
If love is a blanket of darkness that, despite dilated pupils, constricts our sight into a single-track tunnel, floods our brains with stress hormones and turns us into a dizzy mess of preoccupation and restlessness; then intimacy is the light switch.
There is a sweet and sticky awkwardness of falling in love that never truly leaves, even after the days of high school and asking your parents’ permission to go out with your boyfriend. Like an ice cream melting down your fingers, sugary trails to be licked off hands and wrists, leaving behind a sticky residue.