A departure from excess and artifice, a feeling for the future and a reverence for the au naturale — CHANEL sets its sights high as its cultivates a change in atmosphere with the new, enduring beauty of No.1.
When we shoot the 33 year old in NSW’s Fingal Bay, the stirring stillness of her adopted locale seems worlds away from the frenetic mode of the early 00’s. Less waif and more whole, it is as if the devoted mother of three finally feels seen.
For the last two years we haven’t been in the throes of war, but at times it’s felt close. The idea that in amongst that chaos we should still spend time seeking out pleasure for pleasure’s sake
The gravitational push and pull of the moon is such that it sways the tide as it orbits around the earth. For six hours the ocean will creep up the shore, before receding for another six hours, and on and on it goes. Much like the ceaseless lunar allure makes the waves, the siren call of the sea is as constant as it is crisp — a formative blue interlude that reminds us who we are. Darren McDonald shoots Lara Worthington in Sydney, Australia.
Sans makeup and social media Claude Scott-Mitchell is a clean break from the standard code of conduct for someone of her age and vocation, opting to express herself through character arc rather than publicise her private moments. JAN LOGAN’s newest collaborator is quietly chartering her own path to greatness. Dan Roberts shoots Australian actress, Claude Scott-Mitchell.
I cannot recall a more noisy time than this: 24-hour news cycles, facts, stats, personal truths and untruths.
Nothing is ever old any more, always news.
From generation to generation, South Australia to SoHo, the R.M.Williams brand endures thanks to the integrity of its design and signature code of practical polish... but as the fresh prairie mood of its latest release, ‘On The Road’ proves, nostalgia still leaves wide, open space to explore a spirited kind of newness too. Featuring notable Australian export, Victoria Lee, and in partnership with R.M.Williams FEELS LIKE HOME makes clear the importance of remaining in connection to your roots, but being open to where the road may lead.
SIDE-NOTE catches up with Sophie Wilde to discuss the ever-evolving nature of herself and her practice as an actor. There’s a sweetness to this woman. Grounded in the roots of her upbringing, yet eager to make her mark in the acting world, she recognises that it is now her time to step into greater self-exploration and expansion.
A key aspect of evolution relevant to our modern world and the current digital landscape is the often missed art of being present. Our conditioning in modern society comes from workaholics addicted to social media, who fail to prioritise their emotional, physical and spiritual health. However, we can individually change this, increasing our capacity for clarity, creativity and joy, and finding a more sustainable way of being and doing.
Fast fashion is not sustainable. In truth, our perpetual pursuit of the new is about as sustainable as coal. However, many of us are using this knowledge to make more virtuous choices about how and where we shop. Our future is hardly bleak or unexciting. Quite the opposite. It is hopeful. It is honest and full of integrity.
In the below images Lara wears a combination of clothes owned and loaned, in a photographic series intended to be from a different lens. It may not be as perfect as previous shoots, but it’s something more raw and—like the evolution of Lara’s style—something that’s different. The resulting images sit more like a montage of moments that we’ve been let in on. It’s collaboration in its purest form: a visual conversation between photographer, stylist and subject.
Side-Note partners with Nobody Denim to celebrate five of Australia's most influential women at current. We delve into their self-expression journey, the importance of embracing one's individuality, and the freedom of self-expression that is not yet granted to all. In discussion with these influential women, we present a lineup of trailblazers whose mindsets leave us in utter admiration.
‘90s nostalgia is more prominent than ever. But, more often than not, rewatching the rom-coms that permeated our culture in our most formative years leaves a sour taste in the mouth. Stories matter—and the way they’re told and who’s telling them influences our society more than we realise.
With exclusive access to the company’s archives—established with the assistance of Chanel—Side-Note and Darren McDonald travel through the last six decades of The Australian Ballet.
If a young woman isn’t safe in the very building created to house those entrusted to keep young women like her safe, it’s clear there’s a huge systemic problem. Now that Brittany Higgins has opened up the Me Too conversation in Australia, where do we go from here?
To call Gretta Ray’s career charmed would do a disservice to the years of effort she has exerted in pursuit of her goal. But magic? Well, there’s a certain dose of that present, a dash of pixie dust she carries around on her shoulder and let’s find its way into every encounter.
Chanel Contos is taking on Australia’s antiquated approach to consent education—and winning. Side-Note catches up with a true woman of note.
In celebration of Chanel’s living heritage partnership with the Australian Ballet, Side-Note joins forces with prima ballerina Amber Scott and photographer Darren McDonald.
In the uncertainty of today’s world, strength comes from even the smallest of corners. Samantha Wong talks to Sarah Munro, Creative Director of Sarah & Sebastian, about the driving force of strength behind the brand’s latest collection, Odyssey.
Rich, radiant, plumping and pigmented - CHANEL launches 20 new signature shades. Gabriella Brooks road tests the colours of Rouge Coco Bloom in Lip Service, a beauty story.
Model and First Nation Fashion + Design ambassador Charlee Fraser discusses her poignant, transformative journey of cultural discovery.
When it comes to the way we view and respond to cases of violence against women, our response is overwhelmingly influenced by the way the story is told to us through media and the language used to describe the occurrence. For too long, words have discretely shifted the blame from the perpetrator onto the victim. But used correctly, words can be a political force.
Ben Morris documents Mallorcan youth culture, exploring with Nina Cohen, what it is like growing up in and being in that stage of life where all ideas are exciting and possibilities are endless, on an island with such a schizophrenic personality.
A modern woman in many ways (Penfold’s break, and subsequent momentum has been helped along by social media), the 27 year old is quick to affirm her reverence for tradition, preferring to sell her work by way of galleries rather than DM’s. Instagram has proved a seminal and ongoing asset to her commercial success, and yet, Penfold is adamant “I don’t want to be an influencer, I want to be an artist.”
Instagram’s increasingly strict “community guidelines” have been slowly pushing sex workers and sex educators off its platform. It’s the latest Silicon Valley scandal to call into question who gets to decide which voices we see and hear online.
When we catch Nathalie Morris and Carlos Sanson—breakout stars of the breakout Australian dramedy Bump—they’re on the Pacific Highway, headed back from a four-day short film shoot on New South Wales’ South Coast. In person, the pair mirror the same easy chemistry that has made Bump such a blockbuster success. The series—a Stan original created by Australian TV veteran Claudia Karvan—broke viewing records within days of its January release. It was quickly renewed for a second season. The story hinges around a ‘will-they won’t-they’ love story between teenagers Oly and Santi (Morris and Sanson), who are in their final year of high school when their lives are upended by Oly’s cryptic pregnant—a phenomena in which women don’t know they are pregnant until they give birth.
This week, the Daily Edited launched it’s first recycled nylon collection – the five piece capsule is the brands first foray into recycled fabrications.
You can’t start a fashion label anymore without the question of sustainability arising. But Maggie Hewitt, founder of Maggie Marilyn, doesn’t think doing the bare minimum is enough. In fact, she thinks it’s unsustainable in the true essence of the word. Breaking away from the wholesalers who helped to skyrocket her brand to the international success it now has, Hewitt is forging her own path - a path towards a truly sustainable future for all.
“... please tell
us where the slope inclines and can be climbed;
for he who best discerns the worth of time
is most distressed whenever time is lost.”