In the uncertainty of today’s world, strength comes from even the smallest of corners. Samantha Wong talks to Sarah Munro, Creative Director of Sarah & Sebastian, about the driving force of strength behind the brand’s latest collection, Odyssey.
Rich, radiant, plumping and pigmented - CHANEL launches 20 new signature shades. Gabriella Brooks road tests the colours of Rouge Coco Bloom in Lip Service, a beauty story.
When it comes to the way we view and respond to cases of violence against women, our response is overwhelmingly influenced by the way the story is told to us through media and the language used to describe the occurrence. For too long, words have discretely shifted the blame from the perpetrator onto the victim. But used correctly, words can be a political force.
Model and First Nation Fashion + Design ambassador Charlee Fraser discusses her poignant, transformative journey of cultural discovery.
Instagram’s increasingly strict “community guidelines” have been slowly pushing sex workers and sex educators off its platform. It’s the latest Silicon Valley scandal to call into question who gets to decide which voices we see and hear online.
Ben Morris documents Mallorcan youth culture, exploring with Nina Cohen, what it is like growing up in and being in that stage of life where all ideas are exciting and possibilities are endless, on an island with such a schizophrenic personality.
A modern woman in many ways (Penfold’s break, and subsequent momentum has been helped along by social media), the 27 year old is quick to affirm her reverence for tradition, preferring to sell her work by way of galleries rather than DM’s. Instagram has proved a seminal and ongoing asset to her commercial success, and yet, Penfold is adamant “I don’t want to be an influencer, I want to be an artist.”
When we catch Nathalie Morris and Carlos Sanson—breakout stars of the breakout Australian dramedy Bump—they’re on the Pacific Highway, headed back from a four-day short film shoot on New South Wales’ South Coast. In person, the pair mirror the same easy chemistry that has made Bump such a blockbuster success. The series—a Stan original created by Australian TV veteran Claudia Karvan—broke viewing records within days of its January release. It was quickly renewed for a second season. The story hinges around a ‘will-they won’t-they’ love story between teenagers Oly and Santi (Morris and Sanson), who are in their final year of high school when their lives are upended by Oly’s cryptic pregnant—a phenomena in which women don’t know they are pregnant until they give birth.
This week, the Daily Edited launched it’s first recycled nylon collection – the five piece capsule is the brands first foray into recycled fabrications.
You can’t start a fashion label anymore without the question of sustainability arising. But Maggie Hewitt, founder of Maggie Marilyn, doesn’t think doing the bare minimum is enough. In fact, she thinks it’s unsustainable in the true essence of the word. Breaking away from the wholesalers who helped to skyrocket her brand to the international success it now has, Hewitt is forging her own path - a path towards a truly sustainable future for all.
“... please tell
us where the slope inclines and can be climbed;
for he who best discerns the worth of time
is most distressed whenever time is lost.”
Thanks to the internet, Generation Z is more socially and politically aware than any who came before them, spearheading activist movements and creating real, tangible change before they’re even able to vote. But when they were already being dealt an unfair hand, - managing Trump, a climate crisis and puberty all at the same time - the addition of a global pandemic would be almost comical, if it wasn’t so terrifying.
Two days before Christmas, when the tease of summer was upon us, we took a small crew of creatives and Chanel's Cruise 2021 collection to South Cronulla beach to capture what we hoped would be the essence of a time year that now seems too often sentimentalised. We are so very lucky that on this island in the sun, 2021 is already bright - creative pursuit is possible, and across a plethora of industries, abundant. Daniel Goode captures Australian model Georgia Fowler in the clothes we want most.
A series that documents tension - the consideration of the physical and the case of the chemical. Suppression and release, friction and flow.
Stillness is a virtue
A shapeless thing that hums Beneath the surface of being Momentarily punctuating time
Ziggy Ramo recorded his year-defining album, Black Thoughts, in 2015 — but he held on to it for five years, told by the music industry that an Australian public so in denial about their own racist past (and present) couldn’t handle its contents. On May 25th, as a global race reckoning began to take shape, he uploaded the album in full —it’s gone on to be dubbed the most important Australian album of 2020. Grace O'Neill spends an hour in conversation with the magnanimous rapper.
Social media gets a bad rap these days. Justifiably so, for anyone who has seen The Social Dilemma and then fallen into a dark hole of existential despair, convinced Facebook is slowly melting our minds and chipping away at the foundations of modern democracy. But our ‘social media = bad’ conversations tend to lack a little nuance. Grace O'Neill talks to Sydney Creative and Digital Influencer, Yan Yan Chan on the evolving dynamic that is social media.
Subtly nostalgic and artfully modern, 'Summer By The Sea' celebrates the season we do best. From the discipline we’ve demonstrated to the reward that awaits; we count down to everything that warmer weather brings.
I still believe that the only way to real progress is to effectively out-argue the people we disagree with; I believe that treating straight white men as if they’re ‘the enemy’ is childish and unhelpful and I believe that many complicated social issues have been reduced to opaque good/bad binaries, and that this is driving people further along the extremes of the political spectrum. Grace O'Neill considers American politics, now.
If you, like us, have found yourself in this cesspool of a year exploring some ways in which you can be doing good, or doing more, allow us direct your attention to greyhound rescue and advocacy.
In partnership with Superga, SIDE-NOTE presents, ‘Treading Lightly’, a project that honours life's simpler pleasures, the essence of togetherness and the pursuit of a greater respect for our natural environment.
Imagine you’re a pregnant refugee with chronic pain and little to no English. You’ve spent the last seven years in a prison camp and all you know of Australia is the inside of a detention centre. Writer and refugee advocate, Nadine Von Cohen documents who she's fighting for.
When SIDE-NOTE began our portfolio of seven Lebanese-Australian creatives in the aftermath of the disaster, the overwhelming response during our interviews was this: The people of Lebanon are resilient.
“Prosperity is not a thing to grab, but an idea to cultivate; a mindset and a way of life”, Laura Agnew maps her path to Permaculture.
Curated by Publicist and Producer, Jess Carrera, SIDE-NOTE wraps up the best of MIFF 68½, the digital iteration of Melbourne's acclaimed International Film Festival.
Grace O'Neill talks to Australian model, Agi Akur on the changing pace of her profession.
Our new found need for less, yet decidedly more thoughtful clothes, finds its match in stripped back reliable staples for adventure in all its forms. There's a renewed focus on awareness—choices that are more sustainable, ethically made and locally produced. A curation of clothing ready for anything, and at last, considered.
Denim where people were not. Shot last month, mid lockdown, on location at what would ordinarily be Sydney's busiest thoroughfares.
There is a semi-deflated black orb gathering dust on a shelf in my home that taunts me whenever it veers into my eyeline. Its pearlescent sheen and accompanying yoga mat are silent and still, but may as well be shrieking and shaking with the force at which I’m confronted by their daily cry: We have been abandoned. Victoria Pearson considers how history will remember our time.
Even for women who hadn’t bought a magazine in years – and of those, we know, there are many – there was a sense of something ending on Tuesday. In one deft manoeuver three of the final stalwarts of the Australian fashion magazine landscape were wiped out. Harper’s BAZAAR, ELLE, InStyle. Gone, gone, gone. Grace O’Neill laments our loss.