The Australian-born, Los Angeles-based actress who fronts Jan Logan’s new campaign speaks to Isabelle Truman about keeping off TikTok, charting her own path to success, and how she keeps her head clear during the chaos.
Whilst Dolly and Kenny mightn’t have been actual an item, this fictional relationship between two tribute acts in the new classical, Seriously Red, is an original take on the dynamic between love interests. Far from the typical romantic tropes we see on screen, it’s a relationship dependant on each individual masquerading as somebody else. Krew Boylan, who wrote the screenplay, stars as the titular Red, a property valuer turned Dolly Parton impersonator who becomes entangled with Kenny, a tribute performer deeply embedded in his own on-stage persona, played by Daniel Webber.
In the nineties, Australian drama Heartbreak High enthralled a generation of teenagers who saw their own lives played out on the small screen. Sure, those fictional teens may have been a little bit edgier, their clothes a touch cooler and their sex lives a lot more active, but there was an authenticity and grit to the characters that struck a chord. While not all the storylines from the Hartley High of the nineties remain relevant, first love and heartache are the touchstones of teenage experience making it ripe material to rework for a Gen Z audience via a Netflix reboot.
With a feature film and hit TV series already under her belt, and several more projects in the pipeline, Melbourne based Jillian Nguyen is a powerhouse performer. Ted Min captures Nguyen on the streets of her hometown for SIDE-NOTE’s PEOPLE OF NOTE series.
Emerging from her self-imposed hiatus with one buried album, one new album, and a fresh sense of direction, Mac finally feels back in control. SIDE-NOTE caught up with Meg Mac as she prepared for her Sydney Opera House performance, the final of her sold out national tour.
Off the back of the 2021 Foxtel series, Love Me, SIDE-NOTE chats to rising talent, Mitzi Rhurlmann on landing her career-shifting role. Lensed by Michael Brunt and written by Bianca Farmakis.
Commercial surfing has long been epitomised by a masculine bravado and an air of nonchalance. Theatre veteran Catherine Văn-Davies, and newcomer Megan MacKenzie inject new life to the story of 70s Australian surf culture in ABC’s Barons. Lensed by Julian Schulz, interview by Annabel Newland.
"Charley's fiercely unwavering passion for her refined, commanding pop project is the breath of fresh air that the Australian music industry needs in 2022”, says fellow musician, Gretta Ray. Julian Schulz captures up and coming pop singer Charley, for our latest PEOPLE OF NOTE profile.
From the Golden Age to the Silver Screen, film and television has long afforded us an escape from our realities. And in a time when the world in which we know has dramatically changed, period drama ‘The Gilded Age’ has found space to flourish in the endeavour of escapism. Michael Brunt captures Australian actor Thomas Cocquerel on the eve of the release, directed by Julian Fellows.
Sans makeup and social media Claude Scott-Mitchell is a clean break from the standard code of conduct for someone of her age and vocation, opting to express herself through character arc rather than publicise her private moments. JAN LOGAN’s newest collaborator is quietly chartering her own path to greatness. Dan Roberts shoots Australian actress, Claude Scott-Mitchell.
SIDE-NOTE catches up with Sophie Wilde to discuss the ever-evolving nature of herself and her practice as an actor. There’s a sweetness to this woman. Grounded in the roots of her upbringing, yet eager to make her mark in the acting world, she recognises that it is now her time to step into greater self-exploration and expansion.
To call Gretta Ray’s career charmed would do a disservice to the years of effort she has exerted in pursuit of her goal. But magic? Well, there’s a certain dose of that present, a dash of pixie dust she carries around on her shoulder and let’s find its way into every encounter.
Chanel Contos is taking on Australia’s antiquated approach to consent education—and winning. Side-Note catches up with a true woman of note.
A modern woman in many ways (Penfold’s break, and subsequent momentum has been helped along by social media), the 27 year old is quick to affirm her reverence for tradition, preferring to sell her work by way of galleries rather than DM’s. Instagram has proved a seminal and ongoing asset to her commercial success, and yet, Penfold is adamant “I don’t want to be an influencer, I want to be an artist.”
When we catch Nathalie Morris and Carlos Sanson—breakout stars of the breakout Australian dramedy Bump—they’re on the Pacific Highway, headed back from a four-day short film shoot on New South Wales’ South Coast. In person, the pair mirror the same easy chemistry that has made Bump such a blockbuster success. The series—a Stan original created by Australian TV veteran Claudia Karvan—broke viewing records within days of its January release. It was quickly renewed for a second season. The story hinges around a ‘will-they won’t-they’ love story between teenagers Oly and Santi (Morris and Sanson), who are in their final year of high school when their lives are upended by Oly’s cryptic pregnant—a phenomena in which women don’t know they are pregnant until they give birth.