ESSENTIAL WORK BY DEREK HENDERSON & GRACE O’NEILL

If there’s any kind of creative legacy that marks this moment we’re in, we hope it’s this one: a return to something delicate, understated and familiar.

A MORNING WITH CLARE SMYTH AND HUBLOT BY DARREN MCDONALD

Darren McDonald captures internationally renowned chef and Hublot 'friend of the house', Clare Smyth, in the kitchen of her first restaurant outside of the UK.

IN OUR OWN BACKYARD BY DANIEL GOODE

Our new found need for less, yet decidedly more thoughtful clothes, finds its match in stripped back reliable staples for adventure in all its forms. There's a renewed focus on awareness—choices that are more sustainable, ethically made and locally produced. A curation of clothing ready for anything, and at last, considered.

STILLNESS IN MOTION BY ISAAC BROWN & GRACE O’NEILL

Grace O'Neill talks to Australian model, Agi Akur on the changing pace of her profession.

INTO MY ARMS

In consideration of their unwavering embrace, we asked a handful of Australian photographers to capture that which is constant, comforting and common in the time of Corona.

On Intimacy, by Jake Terrey

A study in form with sentiments of touch, fragments of a fuller picture and the varying perspectives of a non existent distance.

SIDE-NOTE VOL 1, IN PRINT AND NOW AVAILABLE TO PURCHASE

THE SOCIAL DILEMMA – YAN YAN CHAN BY PIERRE TOUSSAINT & GRACE O’NEILL

Social media gets a bad rap these days. Justifiably so, for anyone who has seen The Social Dilemma and then fallen into a dark hole of existential despair, convinced Facebook is slowly melting our minds and chipping away at the foundations of modern democracy. But our ‘social media = bad’ conversations tend to lack a little nuance. Grace O'Neill talks to Sydney Creative and Digital Influencer, Yan Yan Chan on the evolving dynamic that is social media.

PEOPLE OF NOTE: Gabrielle Penfold in partnership with Emma Lewisham

A modern woman in many ways (Penfold’s break, and subsequent momentum has been helped along by social media), the 27 year old is quick to affirm her reverence for tradition, preferring to sell her work by way of galleries rather than DM’s. Instagram has proved a seminal and ongoing asset to her commercial success, and yet, Penfold is adamant “I don’t want to be an influencer, I want to be an artist.”