PHOTOGRAPHER: Peter Van Alphen
DIRECTOR: Gracie Otto @ Ralffilms
D.O.P & EDITOR: Edward Triglone
STYLIST: Emma Kalfus
A look into expression of self through dance for Edition N°9, IDENTITY. Gracie Otto follows French Caribbean ballerina and model, Ines Joseph, and captures what has represented and defined her since she was a child.
Prada polo shirt and shorts
Solid & Striped swimsuit from Pam Pam
An idea can deliver clarity where once the world, or instance, felt overwhelmingly opaque. To possess an idea is to possess a torch, deliverance from mundanity, inequity, apathy or looming deadline. Australian photographer Michael Comninus considers the role of light in the evolution of his aesthetic with Egyptian model Leila Greiss.
There is a semi-deflated black orb gathering dust on a shelf in my home that taunts me whenever it veers into my eyeline. Its pearlescent sheen and accompanying yoga mat are silent and still, but may as well be shrieking and shaking with the force at which I’m confronted by their daily cry: We have been abandoned. Victoria Pearson considers how history will remember our time.
With exclusive access to the company’s archives—established with the assistance of Chanel—Side-Note and Darren McDonald travel through the last six decades of The Australian Ballet.
Alexandra Agoston in front AND behind the lens for SIDE-NOTE Edition N°5, Nostalgia.
'Tell me what's your flavour...' In our first stand alone menswear story, Isaac Brown and Alex Bainbridge consider individuality in a portrait series that looks at the varying dispositions of four young men, their drivers and desires.
While the process may be analogue and near extinct, the development of stills in a dark room offers photographer Luke Schuetrumpf a world of creativity to develop not only his images but his conceptual process. Matilda Dods writes of Schuetrumpf's recent pursuit and the importance of the dark room as a catalyst in pushing creative boundaries.
Kids of bill delve into the mechanics of Nobody Denim's Melbourne factory and laundromat in the first instalment of, 'The Makers'.
One must not confuse a lack of clothing with a low key approach, summers in the late 80s, early 90s were anything but, we pay homage to a time less posed but certainly more preened.
Photographer Anna Pogossova takes a look into the history of artificial flavours in her still life series for Edition N°8, FLAVOUR.
